Small live music venues at the core of city culture and connection

December 12, 2023

A new book exploring the vibrancy and precarity of small live music venues is lamenting the current reality that so few small live music venues survive.

Written South Australia popular music scholar Dr Sam Whiting and published by Bloomsbury, Small Venues explains how, throughout the history of popular music, the careers of many culturally significant musicians began on the small stages of local bars, clubs, pubs and discotheques.

The Beatles, Jimi Hendrix and the New York punk, hardcore and post punk scenes were born in iconic venues: The Cavern in England, New York City’s the Marquee and CBGB respectively.

Each place has become a pivotal landmark in the narrative of popular music.

Explaining the significance of small venues for those that have experienced them, Dr Whiting “the local gig or the more intimate performance in a small bar (sees people) recall the space itself, how they moved through it, the volume of the crowd, the energy of the performance, the banter, the sweat, the booze, the sensation, the atmosphere - the vibe. These experiences are the everyday interactions with live music that build connection, contribution and belonging.”

Commenting on the dwindling number of small live music venues he notes “small live music venues are essential to maintaining a vibrant live music culture and we know from cities around the world - including here in Adelaide - that small venues facilitate social connection and grassroots culture.

“Because these cultural spaces are so niche, they are also precarious business operations that must achieve a balance between financial viability and leading-edge creativity.”

Researched and written over 10 years and taking in Dr Whiting’s first-hand experience in the music scenes of Melbourne, Brisbane and Adelaide, Small Venues expands on these to explore the struggles of live music venues due to the financial and social disruptors caused by the COVID-19 pandemic.

Referring to the recently released national report from the Australasian Performing Right Association and Australasian Mechanical Copyright Owners Society (APRA/AMCOS) which shows one-third of the country’s licensed live music venues or stages have closed since the start of 2020, he stated “digital disruption, the advent of the streaming era, gentrification, a cost-of-living crisis, expensive public liability insurance and generational shifts in cultural consumption habits have all changed the way audiences engage with live music and also increased the risks associated with running venues.

“Despite the hardships of the industry, Australian cities are still full of culturally vibrant and rich live music venues that provide connection and contributions to both patrons and musicians. Live music contributes to greater social cohesion and grassroots music venues are also community wealth builders, operating as cornerstones of our cultural economy.”

Small Venues singles out a key Australian live music venues including The Grace Emily Hotel in Adelaide as well as The Old Bar and The Tote in Melbourne’s inner north.

Well known acts including Paul Kelly, Cold Chisel, Courtney Barnett and The White Stripes have all graced at least one of their stages.

An institution in the narrative of Melbourne’s live music scene, The Tote Hotel, faced uncertainty earlier this year when the historic venue was put up for sale. Following a fierce community campaign, its future was secured after new owners agreed to put the building in a trust - a first for live music in Australia.

Dr Whiting went on to say “the success of the campaign to save The Tote Hotel, which resulted in $3 million raised by the public, may be a major victory for Melbourne’s grassroots music community, but depending on who you ask, it is also both a policy failure and a strange perversion of charity.

“While it is excellent to see such a landmark saved by the community, is it fair that they were asked to bail out the former owners to the tune of $3 million? What precedent does it set? Certainly, the concept of placing The Tote in a charitable trust is a ground-breaking move that could lead to more successful campaigns.”

Click here for more information on Small Venues.

6th December 2023 - NSW Parliament passes live music vibrancy reforms

2nd December 2023 - ARIA and PPCA welcome first appointments to Sound NSW Advisory Board

27th November 2023 - Victorian Government allocates $2 million to support music industry workers

24th November 2023 - Victoria’s ALWAYS LIVE program set to fill venues across the state

16th November 2023 - Theatre performers look for audience backing for pay rises

14th November 2023 - NSW Government announces new initiative to increase number of live performance venues

7th November 2023 - NSW Government to conduct its first live music audit

20th October 2023 - APRA AMCOS Annual Report reveals closure of 1,300 live music venues

20th October 2023 - ARIA and PPCA welcome NSW Government’s regulatory overhaul of live entertainment

4th October 2023 - National survey reveals Australians want more live music venues

28th August 2023 - Pollstar report advises of records tumbling for Australian and New Zealand concerts

24th August 2023 - Creative Australia launches with expectations to rebuild and expand Australia’s live arts and entertainment industry

24th August 2023 - Perth Inner City Group collaborate and partner with Destination Perth to boost local tourism

27th June 2023 - City of Port Phillip launches Victoria’s first Live Music Precinct

9th June 2023 - Inner West Council looks to invigorate local arts and live music scene

30th January 2023 - Live Performance Australia and Australian Live Music Business Council among stakeholders welcoming new National Cultural Policy

22nd October 2022 - Victoria’s live music sector receives $11 million in funding

19th October 2022 - Applications now open for round five of Live Music Australia program

1st July 2022 - Queensland live music and performance industry continues to receive financial boost

31st May 2022 - Leading promoters fearful of rising cost pressures on live music

11th May 2022 - Industry bodies unite to release plan for next Federal Government to back live music

14th March 2022 - New $6 million live music precinct to open in Adelaide

5th November 2020 - Save Our Stages NSW calls on public to help save the state’s live music industry

23rd October 2020 - Survey shows over 400 Australian Live Music Businesses face imminent closure

12th December 2015 - Adelaide designated a Creative City of Music by UNESCO

20th November 2013 - Task force calls for cut in ‘red tape’ to save live music industry

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